Another day, another X-Men movie.
After Days of Future Past effectively rebooted the entire series by rewriting the future, the series comes full circle by bringing back a bunch of familiar superpowers in teenage form — Cyclops, Jean Grey, Angel, Nightcrawler, and Storm.
X-Men: Apocalypse trailers begged answers for the questions: Who will join the mutant megalomaniac En Sabah Nur? Who will fight to stop him?
After seeing the movie, I’m prepared to answer those questions with another: Who cares?
X-Men: Apocalypse contains everything terrible about the X-Men movies, turns all of the good into a routine exercise, and spins its way to an anti-climactic finish for the second worst entry in the entire franchise.
Talk about being a shell of its former self — you would think Bryan Singer had hit his stride after releasing back to back critical darlings X-Men: First Class and the aforementioned DoFP.
With regret, I have to say that Uncanny X-Men #34 made me question what Marvel’s intentions are for the X-Men series as a whole, especially with Secret Wars creating a brand new universe.
Due to the drama at the X-Mansion, Illyana Rasputin plans a spontaneous getaway for herself and teammate Kitty Pryde in Uncanny X-Men #33. The plan: Find and save a mutant somewhere on an island filled with gigantic kaiju-like monsters.
After a quick skirmish, the pair follow Illyana’s portable Cerebro and discover a young girl, Bo, abandoned in a cave. Bo speaks a little English, and she explains how she accidentally hurt her mother before she was dropped off by her father. When Magik threatens to kill Bo’s father for leaving her, a monster comes to Bo’s rescue, leaving the young girl with no other choice than to unleash her powers.
The end is near.
As issues approach the Uncanny X-Men #600 mark that will end the series in time for Secret Wars, it looks like the spotlight has landed squarely back on Cyclops.
Matthew Malloy’s existence threatens all else.
And so Uncanny X-Men #31 brings the X-Men to the point of no return as Malloy wipes out the entire Jean Grey School, leaving Eva Bell and Professor Charles Xavier the dubious task of retroactively removing him from the picture.