Oliver Stone’s Snowden biopic opens with a title card declaring the events and characters you’re about to witness have been dramatized.
But anyone with an Internet connection and the ability to Google the words Snowden and PRISM will find the truth that inspired the movie is actually quite terrifying.
In 2013, government contractor Edward Snowden leaked classified government information to the press, sending the intelligence community in Washington into a panic. His actions branded him a traitor to some while others considered him a patriot in the truest form. Believing he wouldn’t get a fair trial due to the Espionage Act, Snowden decided to flee his Hong Kong hotel and seek asylum while the rest of the world pored over the information left in his wake which provided details about illegal activities conducted by the United States government.
The stuff that came out in the news was the stuff of conspiracy theorist nightmares. The leaks put a spotlight on government initiatives and programs like PRISM, an extensive surveillance program that collected and stored information obtained through telecommunications and the Internet. It was also discovered that the NSA had covertly installed backdoor programs into foreign systems around the world that could potentially take down entire networks with the press of a button. Alarming was the fact that these programs weren’t necessarily designed to combat exterior threats — PRISM was used on American citizens as well, and the backdoor programs were installed on computers in ally nations.
Say what you will about Edward Snowden, the former CIA agent and United States government contractor who fled the country after leaking National Security Agency information to journalists.
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To some, he’s a whistleblower. To others, like legendary pilot Chuck Yaeger, he’s a traitor.
Whatever your particular thoughts on the man, Snowden and his leakage of sensitive government secrets had a tremendous affect on the United States. On the one hand, conspiracy theorists who believed the government was spying on its citizens had their suspicions somewhat validated. For everyone else, the leak threw several stories out into the court of public opinion. Questions were asked, opinions debated.
Another day, another X-Men movie.
After Days of Future Past effectively rebooted the entire series by rewriting the future, the series comes full circle by bringing back a bunch of familiar superpowers in teenage form — Cyclops, Jean Grey, Angel, Nightcrawler, and Storm.
X-Men: Apocalypse trailers begged answers for the questions: Who will join the mutant megalomaniac En Sabah Nur? Who will fight to stop him?
After seeing the movie, I’m prepared to answer those questions with another: Who cares?
X-Men: Apocalypse contains everything terrible about the X-Men movies, turns all of the good into a routine exercise, and spins its way to an anti-climactic finish for the second worst entry in the entire franchise.
Talk about being a shell of its former self — you would think Bryan Singer had hit his stride after releasing back to back critical darlings X-Men: First Class and the aforementioned DoFP.