Murder on the Orient Express Review

Agatha Christie, 20th-century’s master crime novelist, is the highest-selling novelist of all time.

All. Time.

With 2-billion books sold, she’s behind only the Bible and Shakespeare.

But a quick survey of my inner and outer circles would either show that people in general just don’t read anymore or that pop-culture — in America — has room for Sherlock Holmes but not for Hercule Poirot, Christie’s master sleuth who’s appeared in 33 of her novels and a set of films, cinema and television, the last being 2013’s Curtain: Poirot’s Last Case with David Suchet ending a 24-year turn as the detective for the United Kingdom’s ITV.

Kenneth Branagh directs and stars in Murder on the Orient Express, a movie with a stacked ensemble cast featuring the likes of Johnny Depp, Penélope Cruz, Willem Defoe, Judi Dench, Michelle Pfeiffer, and Daisy Ridley. It could have done no less — watch any crime procedural on television, and you can spot the master criminal just by the guest appearance.

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Blade Runner 2049 Review

It only took 35 years for Hollywood to create a sequel to Ridley Scott’s Blade Runner — a critical and commercial failure at launch that eventually turned into one of the most influential culture pieces this side of the 20th century. 

Not that we asked for a continuation or a reboot — we all know know how those have turned out. Look at what’s happened to the Alien franchise. See Alien: Covenant review here

When it was first announced, I had my reservations. Blade Runner is one of my most favorite movies. And while I was resigned to accept the notion that no sequel — spiritual or otherwise — would be as good as the first, news of Denis Villeneuve being attached to direct gave me hope that it could come close. 

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Logan Review

www.hypergeeky.com

www.hypergeeky.comInteresting how this all came about. 

While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks. 

Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children. 

Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.

Hrm.

Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons. 

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