Doom’s control over the new Marvel continuity is beginning to splinter as rival factions rise in power.
Three weeks after the events in issue #5, much has happened. Corvus Glaive and his wife Proxima Midnight have been captured, and Black Swan is now in Doom’s employ. Doom has tasked his daughter Valeria with discovering Stephen Strange’s murderers, and work has been rather difficult. Not only has it been impossible to figure out what the outsiders are up to, but Valeria has doubts about her father’s intentions — she can no longer fight the nagging suspicion that Doom may be the one actually guilty of Strange’s death.
With Reed Richards and his Ultimate Universe counterpart Reed Richards working on a plan to remove Doom from his throne, a new threat called The Prophet has begun taking over areas of Battleworld. Doom, wanting to focus his attention on the outsiders, tells barons Sinister, Maestor, and Madelyne Pryor to handle the usurper, which only tempts Sinister and Captain Marvel into starting some havoc of their own.
Alex Abad-Santos over at Vox penned a great article summing up a lot of the controversy and background regarding Marvel and Netflix’s next superhero venture — Iron Fist. Go ahead and read that first if you need a primer because Abad-Santos makes some really fantastic points that I’m going to use as background for this piece about a very complicated subject.
Every week on Geekology, I take a closer look at what’s happening in the geek world. The opinions expressed in Geekology articles are mine and mine alone. Blame me, everyone. Blame me.
As a Korean-American, my opinion on the topic at hand of changing a character’s race often surprises those who expect me to be perfectly fine with, say, a character like Batman being played by someone who’s Asian. I actually believe a character should remain as close to the source material as much as possible, an opinion and preference based on keeping things consistent and honoring created work. Blame my OCD or my old-fashioned ways — racism has nothing to do with it. For me, it’s about seeing something I cherish in another form and not having it “fixed” or manipulated to attract a fanbase that didn’t buy into the original property.
While Doom tries to keep his world balanced and steady in the wake of Stephen Strange’s sudden passing, the tangled web of lies starts to unravel.
Tony Stark’s hot on the trail of the sniper who killed Miriam Sharpe, but the unforgiven sins of the past will keep the killer safe for another day.
In Civil War #2, Charles Soule tethers the plot points tightly around relationships as we get a better look at the two factions set to go to war. The Blue and The Iron have been set apart by key ideologies which have only widened the gap.
What if Steve Rogers and Tony Stark didn’t settle their differences in the original Civil War crossover?
What if their solution to the conflict was to split a nation into two separate territories governed by their idealogues?
Charles Soule explores that possibility with a Secret Wars mini-series set six years after Cloak’s teleport saves a squad of superheroes while dooming fifteen-million other heroes and civilians. With the country separated down the middle, Rogers and Stark govern their sides according to the principles that separated them before.
Those in the Iron who exhibit superpowers are required to register with the government, while those in Rogers’ Blue are free to do as they wish as long as they harm no one and help out whenever possible.