When an argument divides the Underground, will hope survive?
Now that Rick Jones’ cellphone has been decrypted, the Underground hears out what he found out about Steve Rogers and the Cosmic Cube that rewrote history. By gathering the pieces of the Cube, which have been scattered all over the planet, our heroes can restore history and return Captain America to the man he once was.
But they’ll have to beat Rogers to it. Sitting atop his throne, Captain America believes he can bring back the dead and set things right — his way of right — by restoring the Cube and using its power to make the world a better place according to Hydra’s precepts. Rogers orders Baron Zemo to scour the Earth and retrieve the fragments, no matter the cost — foreshadowing all sorts of things to come.
With the search begun, both sides now face a clock. Natasha Romanoff has her own ideas on how to stop Rogers, and it means assassinating him. Spider-Man Miles Morales joins her, accepting whatever fate may come. In case you missed it — Back in Civil War II, a vision of Morales standing over a dead Captain America left Miles and the Avengers team shaken and in disbelief. Morales knows he’s no killer, but he’s ready to see what the future holds.
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
House meets Inception meets Iron Man in a special effects bonanza that sorts out Stephen Strange’s mystical origin story for the silver screen as he goes from world-renowned surgeon to universally known sorcerer.
As one of the Avengers most powerful members, Dr. Strange exists in the comics as Earth’s protector against threats that transcend the physical. Wielding the Eye of Agamotto, Strange basically has a limitless array of powers at his disposal to go along with his masterful intellect.
In his cinematic debut, Strange is more or less the same character — changes were made to make him fit in line with the impending Infinity War. We’re introduced to the character at the height of his arrogance as he pokes fun at public health care, sorts through a drawer full of high-end watches to fit his tux for a speaking engagement, and handpicks his next surgery case.
A strange x-ray keeps his attention too long while he speeds along a coastal cliff in his Lamborghini. He sideswipes another vehicle which sends him spinning through the air and down the face of the cliff until the car face plants into a watery ditch. Strange wakes up in a public hospital with his hands stitched up and filled with pins. He doesn’t need a second opinion to tell him he will never perform another surgery again.
Tony Stark infiltrates New Attilan, setting off even more conflict in Civil War II #2.
Having losing best friend James Rhodes (War Machine) last issue, Stark kidnaps Ulysses from his new home to learn more about the young man’s supposed ability to see visions of the future.
While he studies and interrogates the boy, the Inhumans respond by following an enraged Karnak to Stark Tower. Captain Marvel and the Ultimates arrive with Maria Hill to defuse the situation. Together, they find Tony and Ulysses after the former has finished downloading a copy of latter’s brain for study.
Though you could chalk up Tony’s response to his best friend dying as something in between impulsive and insane, the issue never really gives the normally rational man a really good reason for infiltrating a sovereign country and kidnapping one of its citizens. While it’s clear that Tony wants to study Ulysses’ brain and precog abilities, it’s not like the Inhumans were against any sort of rational measure. It’s actually pretty clear that Medusa — having caught Tony in the kidnapping act — seems like she’s willing to help. When Tony refuses to go home, things escalate, turning a shaky situation into full-blown war.
Prepare yourselves for war!
Hot off the heels of a Civil War movie — which, in turn, was based very loosely on the comic crossover of the same name — comes Civil War Part Dos #1. Written by Brian Michael Bendis with beautifully rendered panels from artist David Marquez and colorist Justin Ponsor, the next big event in Marvel history explodes from the pages of its first issue.
After Terrigen mist rolls through Columbus, Ohio, a new batch of Inhumans are born. One of them, Ulysses, gains the power of foresight and predicts a major invasion by a Celestial — or is it Galactus?
With the Avengers getting the heads-up and calling in all of its membership and various allies, the threat is averted, and Tony Stark throws a celebration to honor the victory.
Curiosity gets the better of Captain Marvel Carol Danvers, and the Inhumans decide it’s time to become a little more transparent. They introduce Ulysses to the Avengers, and Danvers makes a move to bring the human crystal ball onto her squad — which causes Stark to express his reservations.