The Superman of Earth-Prime is gone, and the world comes to terms with the loss.
In Superman: Rebirth #1, Lana Lang and pre-Flashpoint Superman head to the New 52’s burial site to deal with his death in their own ways.
For Lang, it’s to keep a promise and have Kent’s body taken to Smallville, Kansas, to be interred next to his parents. For the original Superman, death is only another beginning. Having been reborn after being killed by Doomsday, Superman believes the same can happen to this timeline’s Superman — provided there’s a Fortress of Solitude with the proper resurrection tech.
Lang, who somehow gained the knowledge of the Fortress’ whereabouts when Superman died, leads the new (or old) Superman there. While they’re devastated to know that Superman cannot be resurrected, they honor him in their own ways.
Superman: Rebirth #1 seems geared as a primer — a way for new fans to jump in and for old fans to get caught up with the whole Rebirth thing going on. While, at best, it’s a moving tribute on the subject of existence if you can dig deep into it, the issue is rather cut and dry with an anti-climactic plot point that’s meant to establish more of the old continuity going forward.
The plot thickens in Uncanny X-Men #19.NOW — S.H.I.E.L.D. infiltrates a former X-Man’s house for interrogation, Mystique and Sabertooth are up to something, an advanced Sentinel attacks, and Cyclops declares war!
If you feel a strong sense of deja vu, you’re not alone. Bringing back plot points that have been on the backburner for months, Uncanny X-Men #19.NOW — more like a revisiting than a retread — reminds us what we’ve been waiting for.
Cyclops’ Uncanny X-Men squad is the alpha team — the team with the heaviest hitters which is one significant member down since Magneto decided to go off in search of himself. Still, there’s been plenty of growth from even the youngbloods, and Cyclops looks more formidable than ever as a man on fire.
So while new readers jump on for Uncanny X-Men and get acclimated — after Cyclops’ team deals with the Sentinel threat, we’re reminded once again how people feel about mutants — steady readers won’t get much new this issue except for more teasing on what happened to Eva Bell in Uncanny X-Men #17 when she disappeared then returned a bit older.
Emma Frost knows enough about Bell to warrant a “You have to tell him” after Cyclops compliments Eva. There’s a suggestion of romance here, and it’s either a one-sided thing, or perhaps Bell saw something in her time displacement that’s so important, Scott Summers has to know.
As far as scripting goes, Brian Michael Bendis gets a good back and forth between S.H.I.E.L.D. director Maria Hill and Bond. Hill is written exceptionally well — she’s manipulative to a point, but she’s still well-meaning, if a bit threatening. As condescending as she gets with Bond this issue, it’s apparent she’s willing to do what it takes to save the world without crossing the line into supervillain territory.
The curtain on what happened to Dazzler is raised, and we see something a bit startling here as Mystique reveals where she gets her Mutant Growth Hormone. The visuals are played up with Mystique storing the illegally obtained substance in a Louis Vuitton bag which shows how far she’ll go to get what she wants.
Chris Bachalo’s pencils are fantastic this issue, though not without flaw. In one panel showing Eva, Emma, and two of the Stepford Cuckoos — all the women have the same face with only their hair and uniforms to differentiate them. Not that it looks bad — Bachalo’s attention to detail and backgrounds helps create some very dynamic panels with devastating spells and destructive explosions opening it up for how epic these battles can be.
And if I can say one thing about the costumes — Goldballs’ retro look is at the same time hilarious and a hot mess. I’m not sure if he’s a parody of something else — maybe on DC as a whole — but he’s basically the team’s de facto comic relief now.
Everything else about this issue is pretty pitch perfect — the inkers’ squad has another member this issue bringing the count to five. Tim Townsend, Al Vey, Jaime Mendoza, Mark Irwin, and Victor Olazaba all contribute on bringing those penciled sketches to bear with clean lines, dramatic shadows, and darkly dark backgrounds.
In terms of color, Bachalo handled 100% of the work before, but this time we get a few pages by Jose Villarrubia that are reminiscent of Frazer Irving’s filtered green textures. Seeing Villarrubia’s colors — if just for a page or two — on Bachalo’s work makes me wonder what kind of tone an issue would take if someone else was brought in for color. I’m still not totally keen on Bachalo’s choice of hues, but to each their own.
And while I’m not the best at judging at a letterer’s work — Joe Caramagna should be commended for his work this issue. Explosions, laser blasts, and power beams get their own personalities, and it makes the battle sequences feel very epic.
The previous issues with their character sketches were a good detour, but it’s time for the Uncanny X-Men to get back on track. While new readers joining the rest of us will benefit the most this issue, it’s a good reminder for the pull-list subscribers of the particular threads left untied and loose. For some, it’s an “about time” moment when the story they’ve waited patiently (or not) for is finally getting its round.
And while the training is never over — at least from Cyclops’ perspective — it’s time for these kids to use what they’ve practiced. The threat is there, whether it’s S.H.I.E.L.D., the mysterious Sentinel builder, or both, and these X-Men have proven themselves to be more than apt for the task.
Uncanny X-Men #19.NOW (2013)
Words: Brian Michael Bendis
Pencils: Chris Bachalo
Inks: Tim Townsend, Al Vey, Jaime Mendoza, Mark Irwin, and Victor Olazaba
Colors: Chris Bachalo and Jose Villarrubia
Letters: Joe Caramagna
It seems wherever Cyclops goes, someone’s asking him what happened with Charles Xavier.
It’s a valid question, and it’s an issue Scott Summers has been dealing with internally as he holds on tight to this second chance of his. Though the fans have chanted, Cyclops is right, past events have had a major effect on him, altering him from pure leader to tainted freedom fighter.
Alison Blair, former X-Men in charge of PR for Cyclops’ extinction team, now works for S.H.I.E.L.D., and her first assignment involves taking Fabio Medina into custody for questioning. Blair takes advantage of a fangirl, and uses her powers to subdue the family, freeing herself up so she can bring Medina onto the helicarrier.
Too bad for Maria Hill and her underlings — David Bond’s new affiliation with Cyclops’ X-Men squad has given him time with some of the most powerful mutants on the planet. Bond began to understand his ability to take control over machinery last issue, and he’s been spending time with some of the greatest teachers. It all pays off when Bond takes control of the helicarrier after the X-Men teleport to Fabio’s side.
It’s an issue filled with tactical maneuvering, trick surprises, and changes. Irma, one of the Stepford Cuckoos, has changed her hair style, prompting her sister Celeste to “freak out.” It’s an interesting dynamic because the X-Men books have long tackled issues concerning prejudices, but even the X-Men aren’t immune to tiffs and fighting over expections of “normality.”
By the looks of it, Brian Michael Bendis is having loads of fun drafting the Uncanny X-Men series — the dialogue is witty, the tempo is brisk, and the characters have momentum going forward. The heavy hitters of the team still command presence, but the cast feels fuller now even if the elder teammates have to deal with being broken. It leaves the younger recruits room to grow and show they can handle their own as they fight for the spotlight. Credit Bendis for giving readers a reason to care for the new teammates who don’t feel disposable.
Chris Bachalo’s pencils remain top notch, and each page is filled with fully loaded panels. There’s tension and great composition, and Bendis’ doesn’t make it easy for Bachalo with all of character interaction. There’s been a lot of story in the past few issues, and Bachalo’s artwork isn’t lazy — it’s actually pretty frenetic. Character expressions are Bachalo’s strength, and body language is easy to read.
If there was a major gripe, it’s Bachalo’s penchance for backsides. There are at least four prominent “butt” shots, and each issue seems to have at least one. It can be distracting, and Bachalo could be a candidate for the Hawkeye Initiative Award if there was one.
As for inks — Tim Townsend gets help from three other inkers. Lines look fluid and smooth, and the dark black shades add thick contrast without feeling sloppy or overwhelming.
Bachalo’s colors get a nice boost with some more variance in colors. There’s more blue to this issue, and the palette switching is more attractive compared to the melange of orange Bachalo used last issue.
The Uncanny X-Men series has been strong — more or less — on a month to month basis, and Mystique’s appearance here after a stint in All-New X-Men shows she’s part of a bigger picture. Mystique proves you can’t stop her — you can only hope to contain her — and she’s a threat that’s been deserving of a bigger challenge.
Kudos to the creative team for pushing the pace and creating an issue that puts some of the most powerful mutants on Earth in harm’s way. Bendis could have chosen higher-profile characters, but he’s bringing in solid and dangerous foes capable of making a huge impact on the X-Men universe.
Uncanny X-Men #9 (2013)
Words: Brian Michael Bendis
Pencils: Chris Bachalo
Inks: Tim Townsend, Mark Irwin, Al Vey, and Jaime Mendoza
Colors: Chris Bachalo
Letters: Joe Caramagna
Since the Phoenix came back to Earth, some things have gone pretty loopy. Mutants are popping up all over the globe, Cyclops has gone rogue with a new X-Men team that’s gaining fans everywhere, and Sentinels have been connected to S.H.I.E.L.D. Last issue, Magneto offered S.H.I.E.L.D. his services, and he rejoins the team this issue setting in motion a plan that could reveal betrayal or a ruse.
While the Marvel Now! relaunch saw new teams form under an amalgam of banners and other major titles get a revamp, one flagship title was kept off the shelf long enough for its members to find themselves and form under a pertinent cause that could see its figurehead redeemed or further ostracized — the Uncanny X-Men.
Brian Michael Bendis, doing excellent work with the original X-Men in All-New X-Men, takes on the challenge of bringing the new team front and center with two opposing sides watching to see what happens to mutant-rights-poster-boy Cyclops.
Taking on Scott Summers’ story in the aftermath of last year’s huge Avengers vs. X-Men event that saw Professor Xavier’s dream student turning into Marvel’s biggest anti-hero, Bendis’ challenge will be to direct Summers and his team into territory that could alienate a large portion of fans whichever way he goes.
For those who felt indifferent or hated the classic Cyclops character — his turning point as the wielder of the Phoenix Force that climaxed when he publicly murdered his mentor was a step in the right direction to make him relevant. Boring, self-righteous, aloof, distant — detractors who used those terms call Cyclops’ current turn into his new role character development.