In the world of comics, Wonder Woman is no throw-away hero.
First appearing in comics in 1941, Wonder Woman was created by William Moulton Marston, a psychologist who helped invent the polygraph. Marston believed comics had incredible potential in terms of educating children, and he wanted to create a hero with a modus operandi that set him apart from his contemporaries — a hero who would conquer with love.
It was Marston’s wife Elizabeth who said the character should be female, and Marston based Wonder Woman’s physical appearance on his student and other significant other, Olive Byrne.
The rest is history. As part of DC’s famed Trinity, Wonder Woman is on par with Superman and Batman in terms of ability, leadership, and respect. Her comic has been continuously published for more than seven decades — minus a four-month absence — and she just celebrated her 75th anniversary.
So, it’s actually a wonder that it so long for Warner Bros. and DC to bring her to the silver screen. She first appeared in Batman v. Superman: Dawn of Justice, and I thought she was by far the best thing about the movie. Now, in her first solo outing, Wonder Woman gets her chance to show the cinematic world that she deserves her place amongst the World’s Finest.
The Cap’s out of the bag, and modern history in the Marvel Universe is as it — ahem — should be.
Not that fans are happy with the development. It was one thing to turn Captain America into a Hydra agent. It was another to reveal that the entirety of Marvel Comics history was a lie and that Steve Rogers — along with Hydra — were the true winners of World War II.
Secret Empire #1 takes place about a year after the Captain set off a chain of events that would put Hydra back in control. History books have been fixed, Big Brother is even bigger, and anyone exhibiting any forms of superpowers must register with the government.
Many of Earth’s mightiest heroes are still in space, locked out by a global shield. Those on Earth unwilling to accept the new way of things have either been imprisoned or have been forced into hiding, hoping to maintain some safety from the Dreadnoughts, Hydra’s Sentinel-like robots.
After the most recent Secret Wars event rewrote Marvel’s comic continuity, the company dropped a major bombshell when it brought Steve Rogers back into mix as Captain America.
For the past several years, Rogers took on a more administrative role after a confrontation with the Iron Nail left his Super-Soldier Serum inert. Working as the Avengers’ mission control leader, Rogers new role capitalized on his tactical prowess while his appointed successor Sam Wilson took on the mantle of Captain America.
With the new continuity firmly planted, Marvel saw fit to return Rogers to his original role and gave him back his superpowers. The company launched another Captain America title, and the first issue set off a huge clamor when it was revealed that Rogers in this current continuity was actually a Hydra agent. In case anyone thought it was some sort of cheap trick or double-screw flash plot twist meant to last a story arc or two, Marvel explained that Kobik — the living Cosmic Cube — had rewritten Rogers’ origin along with many other aspects of the new continuity.
Interesting how this all came about.
While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks.
Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children.
Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.
Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons.
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.