Interesting how this all came about.
While the X-Men movies have basically been Wolverine-centric, it was X-Men Origins: Wolverine that featured the first onscreen appearance of the Merc With a Mouth — Deadpool — who eventually got his own solo movie that made a strong case for R-rated comic-book flicks.
Studios have traditionally shied away from restricting comic-book movies to adults because of financial reasons — toys, merchandise, and a larger audience filled with teens and children.
Which is, by James Mangold’s admission, why The Wolverine ended so badly — Logan fights a robot samurai and loses his claws, which somehow grow back.
Anyways, for what it’s worth, The Wolverine was better than Origins — though that’s not saying much. Origins was incredibly bad, and if I had to sit through it, I’d want the leaked version stripped of its special effects for educational reasons.
Batman’s foes have an existential crisis in his latest outing, The LEGO Batman Movie.
Kicking off with an amazing 10-minute song-and-punch introduction, the LEGO Batman Movie not only features a bevy of villains, known and obscure — Crazy Quilt and Killer Moth! — the movie also treads into interesting meta territory.
After Batman saves another day in Gotham City, he drops a bombshell on the Joker — the Dark Knight doesn’t think the Clown Prince of Crime is his greatest foe.
Teary-eyed, the devastated supervillain escapes and begins work on a new plan to get Batman’s attention.
Meanwhile, Bruce Wayne finds himself torn against a potential love interest and a new commissioner who sees Batman as a problem. Between bouts of love and anger at Commissioner Barbara Gordon’s new plans for the city, Bruce agrees to adopt the orphan Dick Grayson.
At last, the release of Suicide Squad — the movie at the top of my must-see list for 2016.
The first trailer previewed a rogues gallery of misfits — awesome and not — who become forced into some good ol’ fashioned do-goodery. The preview had a bit of humor, our first look at Margot Robbie as Harley Quinn, and a shot of Batman hanging from the roof of a speeding getaway car.
The latest trailers gave us more of the same, but it was the delivery — they played like the best fan-made music videos. A helicopter launching flares as Brian May goes into full swing for his guitar solo in Queen’s Bohemian Rhapsody, or Sweet’s high-charged Ballroom Blitz in step with shots of pure kinetic energy.
Unfortunately, we’ve come into a golden age of trailers, where companies can cherry pick the best visuals, break open the plot, and piece together a TLDR version that can make a bad movie look good.
Somehow, people were tricked into seeing Fantastic Four — and half of the scenes in the trailer weren’t even in the movie!
On the strength of its casting, premise and top notch trailers — rumor has it, the final cut of the movie was completed by Trailer Park, the company that created the previews — Suicide Squad topped even Rogue One on the “Want to See” list, but no amount of editing could save a movie with a circular kind of logic that is a means and end to itself in all of the worst ways.
Another day, another X-Men movie.
After Days of Future Past effectively rebooted the entire series by rewriting the future, the series comes full circle by bringing back a bunch of familiar superpowers in teenage form — Cyclops, Jean Grey, Angel, Nightcrawler, and Storm.
X-Men: Apocalypse trailers begged answers for the questions: Who will join the mutant megalomaniac En Sabah Nur? Who will fight to stop him?
After seeing the movie, I’m prepared to answer those questions with another: Who cares?
X-Men: Apocalypse contains everything terrible about the X-Men movies, turns all of the good into a routine exercise, and spins its way to an anti-climactic finish for the second worst entry in the entire franchise.
Talk about being a shell of its former self — you would think Bryan Singer had hit his stride after releasing back to back critical darlings X-Men: First Class and the aforementioned DoFP.
Batman v Superman: Dawn of Justice was supposed to compete directly with Captain America: Civil War by releasing on the same day, but Warner Bros. decided — wisely — that more money was to be made without forcing audiences to choose between two huge tentpoles.
But both studios knew their movies would be compared ad nauseum — each containing a similar premise where its lead titans would wage war against each other. DC, owning the most famous and more established comic book properties in Superman and Batman, still had a bit more of an uphill climb gearing up for its cinematic universe while Marvel looked forward to continuing its runoff to a climactic Infinity War one-two punch that begins in 2018 — ten years after Iron Man kicked off Phase One.
And it’s clear, after having seen Civil War, that my preference is Marvel’s movie. Not that I have to choose — one can be a fan of both comic movies and companies just like one can be a fan of Warner Bros., Universal Studios, and 20th Century Fox. I love both Guardians of the Galaxy and The Dark Knight without feeling the need to draw lines from one to the other.