Four teens with attitude are brought into the magical world of Jumanji to save the land from a curse.
When Spencer the nerd (Alex Wolff), Fridge the jock (Ser’Darius Blain), Bethany the self-centered (Madison Iseman), and Martha the aloof (Morgan Turner) are sent to the school’s basement for detention, they unwittingly open a portal into another world through a video game console.
Transported to the world of Jumanji, the four teens inhabit avatars in direct contrast to the real-world selves. Spencer, sickly and scared, becomes the muscle-bound explorer Dr. Smolder Bravestone (Dwayne Johnson). Fridge enters the game as the zoologist Franklin “Mouse” Finbar (Kevin Hart), a diminutive researcher who acts as Bravestone’s sidekick and weapon holder. Bethany and Martha become Professor Sheldon Oberon (Jack Black) and Ruby Roundhouse (Karen Gillan), respectively. Where the former is now a portly man whose role is the group’s cartographer, the latter becomes the team’s hand-to-hand specialist and bombshell.
Marvel has Earth’s Mightiest Heroes in the Avengers, but DC has the Trinity — arguably, the three most important and popular comic book heroes in comic book history.
Superman (Henry Cavill), Batman (Ben Affleck), and Wonder Woman (Gal Gadot) — who made an appearance in Batman v Superman: Dawn of Justice join forces with Flash (Ezra Miller), Aquaman (Jason Momoa), and Cyborg (Ray Fisher) to fight cosmic invaders in an action-packed but fluffy movie that tries to shoulder the momentum of this year’s breakout Wonder Woman film.
With Superman dead and the world in turmoil over losing its brightest beacon of hope, fear has risen to new heights. With no protector to keep alien forces at bay, the powerful Mother Boxes awaken and call outside forces to come and claim them.
Hoping to unite the boxes into one construct that will redesign Earth into a fiery landscape more fitting for his kind, the alien Steppenwolf assaults Themyscira and Atlantis and takes the boxes.
Thor Odinson (Chris Hemsworth) tries to stop the end of the world in Thor: Ragnarok, a conflicted mess of a film that showcases some of the best that Marvel Studios has to offer along with some of their cringiest.
If you’ve seen the trailers, you have the main gist of it all — Hela (Cate Blanchett), the goddess of death, has come to take her place on the throne of Asgard after Odin’s death releases her from the prison his life-force created.
As Odin’s firstborn, she is the strongest of his children, and she makes her mark within moments by destroying Mjolnir and sending Thor and Loki (Tom Hiddleston) into retreat. As the brothers attempt to teleport back to their homeworld with the help of the Bifröst Bridge, Hela follows them and send them off course.
Hela appears in Asgard, where her claim to the throne hits deaf ears — that’s what happens when an entire era’s history is wiped away or covered up. Viewed as an invading force, Asgard’s army tries to hold her at bay but fails miserably.
The battle and escape at Dunkirk was a defining point during the first stages of World War II — it ultimately rallied the British who were at one point considering a conditional surrender to Germany. The safe return of 330,000 British and allied soldiers with the help of civilian forces spurred a counterpoint to Germany’s blitzkrieg that was pushing its way through Europe with relative ease.
But the movie is a collection of parables that uses the event as a backdrop to explore the paradigm of human existence. Compressing time and space, Dunkirk is a microcosm of chaos, beauty, and the circle of human life.
The movie opens with a literal bang as German soldiers open fire on Allied troops who have, so far, maintained an uneasy and untenable position with their backs to the French oceanside in Dunkirk. A few hundred-thousand troops wait on the beach as, one by one, ships pick up the wounded first.
Marvel Studios brought home a big prize back in 2015 when they announced they had partnered with Sony Pictures to bring Spider-Man into the MCU. The Internet broke, and hope was renewed that Marvel could one day bring back other franchises sold off to other studios during a time of financial crisis.
As celebration turned into speculation, Marvel explained they weren’t going to explore Spider-Man’s origin story and that his introduction would come in Captain America: Civil War. The cameo was stellar, and the hype for Homecoming (the title, not so much) went through the roof.
The single best decision for the movie was the exclusion of an origin story — which would have made it the third retelling in 15 years. Spider-Man: Homecoming arrives ready to go, and he’s a bit more evolved than any previous version’s first single-movie appearance.